The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on notions of femininity and social relations. Covering a broad range of paintings, prints, and sculptures, this book shows how the liseuse was subjected to unprecedented levels of pictorial innovation by artists with widely differing aesthetic aims and styles. Depictions of readers are interpreted as contributions to changing notions of public and private life, female agency, and women's participation in cultural and political debates beyond the domestic household. This highly original book explores images of women readers from a range of social classes in both urban and rural settings. Such images are shown to have articulated concerns about the impact of female literacy on labour environments and family life while, in many cases, challenging conventions of gendered reading. Kathryn Brown also presents an alternative way of conceiving of modernity in relation to nineteenth-century art, a methodological departure from much recent art historical literature. Artists discussed range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carriere, Toulmouche and Tissot.
This title features beautiful works of art specially selected to accompany delightful pieces of verse and prose. It includes classic poetry by Chaucer, Shakespeare, Spencer, Tennyson, and Milton, amongst others, as well as anonymous rhymes, folk songs and fairy lore passed down through the centuries. The chapters include Famous Fairies; Fairy Tricks and Good Turns; Fairy Possessions, Feasts and Sports; Fairy Homes; and Fairy Lovers. It is a book that celebrates these elusive creatures, with poetry and tales of their exploits, and evocative pictures which capture their entrancing, fragile charm. It is a beautiful gift anthology to keep or give away. In folklore and tales fairies come in many forms: ethereal queens, beautiful enchantresses; house fairies and woodland sprites, the tiny spirits of flowers and trees; mischievous pixies; elves and nymphs. In whatever form they appear to those who believe in them, fairies are always mysterious, magical and secretive. They live in a curious half-world, which exists in the mists just beyond human perception but is always rooted in nature. In art and literature fairies often appear to the innocent or the lost, to children or questing knights, and they can be found at twilight in woodland glades, inside fairy rings, or on deserted moonlit beaches. This book brings together classic works of art, and much-loved and quoted poetry and prose, to celebrate these elusive creatures and create a celebration of the land of faerie and its inhabitants.
In House Rules, two foiled terrorist attacks and a law targeting Muslim Americans send Joe DeMarco on a dangerous mission among mobsters, meth dealers, and the Washington political elite.
Silk fabrics woven with gold thread, predominantly produced in Italy, were depicted frequently in Renaissance painting, both in costumes and as backdrops for important figures. These painted textiles carried an economic and social significance that a contemporary audience would have recognised as part of the message conveyed by the picture. Gold brocade and Renaissance painting focuses on examples from Italy and the southern Netherlands , dating from the fourteenth to the early seventeenth centuries.
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