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The Howard family moved from San Haydren Caifornia to Bayou Bayside Florida due to the loss of a wife and mother. Michael's wife lost her six year long battle with breast cancer a couple of months ago. His boss Mr. McPheeny thought since Michael and his kids were going through such a rough time that it would be in their best interest to move to a new state, start over make a new life for themselves and get some normalcy back in their lives, besides he has a new country club down south that he needs someone to run for him to and so Michael's his best bet. He's hoping that the move proves to be helpful and be the best thing for them all. Michael knows that this move is going to be hard on his kids. He's not to worried about his young son Noah because Noah is a go getter, out going person who works through everything quickly and efficiently. But his daughter D.J on the other hand is a whole other story, she's a loner type who would rather be by herself. She's extremely smart, artistic and talented. She has a love of drawing and painting which she in herited from her mother and that's what keeps her going and connected to her mother even though her mom's no longer with her in person she's with them in spirit.
It's 1808 . . .
and Grace loves caring for baby Alice and working with her mistress, Beth, on the property at Rose Hill. Grave tries so hard to be a good servant – but still her master, Tom, doesn't trust her. Does he blame her for what happened to Glory, who is injured and growing sicker every day? Grace has to do something to help, but who can she turn to?
Join Grace in the final of four exciting stories about a convict girl who is given a second chance.
About The Author
Sofie Laguna was born in 1968 in Sydney. She studied to be a lawyer, but after deciding law was not for her, she trained as an actor. Sofie is now an author, actor and playwright.
Her books have been named Honour Books and Notable Books in the Children's Book Council of Australia Book of the Year Awards and have been shortlisted in the Queensland Premier's Awards. She has been published in the US and the UK and in translation in Europe and Asia. Her picture book with Andrew McLean, On Our Way to the Beach was included in the White Ravens 2005 annual selection of outstanding international children's books by the International Youth Library (Associated Project of UNESCO). Her other books include My Yellow Blanky, Too Loud Lily, Surviving Aunt Marsha, Bad Buster and Big Ned's Bushwalk.
About The Illustrator
Lucia Masciullo grew up in Livorno, Tuscany, among smells of saltiness and rosemary. She always loved painting and after graduating in Biology she decided to pursue her dream career as an artist. In 2006 she moved to Brisbane and since then has been happily working as a fine art painter and freelance illustrator. She has recently illustrated Sonya Hartnett's The Boy and Toy.
A visual history of this country's domestic interiors, 1814-1914, as seen through contemporary photographs, drawings and paintings. A variety of houses from Maori whare interiors, missionary and settler homes to the turn-of-the-century villas of Auckland and twentieth-century bungalows of suburban Christchurch. Several homes of well-known New Zealanders, such as Governor George Grey, Maggie Makereti Papakura and John Logan Campbell are also included. There are pictures on almost every page, with extended captions. The book is divided into four periods of twenty-five years, each with an introduction.
Silk fabrics woven with gold thread, predominantly produced in Italy, were depicted frequently in Renaissance painting, both in costumes and as backdrops for important figures. These painted textiles carried an economic and social significance that a contemporary audience would have recognised as part of the message conveyed by the picture. Gold brocade and Renaissance painting focuses on examples from Italy and the southern Netherlands , dating from the fourteenth to the early seventeenth centuries. Setting aside traditional notions of the hierarchy of the major and minor arts, the book treats gold brocade and painting equally as exponents of the special segment of Renaissance material culture that was art. The fabrics rendered in painting reflected the tradition of actual weaving, but only to an extent, as many gold brocades were painted from imagination. Gold brocades were much more expensive than paintings; hence the two media functioned in different contexts.
Gold brocade was an important element in the display of wealth and status at grand courts, while painting often formed the only affordable substitute for courtly splendour for the socially ambitious but less affluent urban upper-middle class. Their value and cultural role also meant that gold-brocaded textiles could be included in paintings both in praise of luxury and as a condemnation of it - sometimes in one and the same work. Gold brocade and Renaissance painting examines the skills artists developed for representing these lavish textiles. It uses a wide range of documents (from inventories and account books to letters, poems, educational treatises and sermons) to compare the economic value of gold brocade and painting, clarify the conditions of their use, and interpret the different messages given by brocades in different pictures. Primarily, however, the book deals with the distinction between fact and fiction, imagination and reality in the world shown in Renaissance paintings.
'Oh, you can call me Rusty. Everyone back home does.'
It's 1945 and the war has ended. After five happy years in America, Rusty must return to England: the place she used to call home. But it doesn't feel like home. Rusty's mother is a stranger, her little brother doesn't know her and everything seems grey and bleak. Lonely and homesick, Rusty makes friends with Lance, another returned evacuee, and her indomitable spirit leads her into a dramatic and devastating rebellion . . .
About the Author
Michelle Magorian was born in Portsmouth and on leaving school studied at the Rose Bruford College of speech and Drama and Marcel Marceau's International School of Mime in Paris. Over the years she became interested in children's books and decided to write one herself. The result was Goodnight Mister Tom, which won the Guardian Children's Fiction Award, an International Reading Association Award and was also made into a superb film starring the late John Thaw. In 2012 Michelle was made a Fellow of Rose Bruford College.
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