Sydney Wide Painters
This title features beautiful works of art specially selected to accompany delightful pieces of verse and prose. It includes classic poetry by Chaucer, Shakespeare, Spencer, Tennyson, and Milton, amongst others, as well as anonymous rhymes, folk songs and fairy lore passed down through the centuries. The chapters include Famous Fairies; Fairy Tricks and Good Turns; Fairy Possessions, Feasts and Sports; Fairy Homes; and Fairy Lovers. It is a book that celebrates these elusive creatures, with poetry and tales of their exploits, and evocative pictures which capture their entrancing, fragile charm. It is a beautiful gift anthology to keep or give away. In folklore and tales fairies come in many forms: ethereal queens, beautiful enchantresses; house fairies and woodland sprites, the tiny spirits of flowers and trees; mischievous pixies; elves and nymphs. In whatever form they appear to those who believe in them, fairies are always mysterious, magical and secretive. They live in a curious half-world, which exists in the mists just beyond human perception but is always rooted in nature. In art and literature fairies often appear to the innocent or the lost, to children or questing knights, and they can be found at twilight in woodland glades, inside fairy rings, or on deserted moonlit beaches. This book brings together classic works of art, and much-loved and quoted poetry and prose, to celebrate these elusive creatures and create a celebration of the land of faerie and its inhabitants.
The first monograph to examine the depiction of reading women in French art of the early Third Republic, Women Readers in French Painting 1870-1890 evaluates the pictorial significance of this imagery, its critical reception, and its impact on notions of femininity and social relations. Covering a broad range of paintings, prints, and sculptures, this book shows how the liseuse was subjected to unprecedented levels of pictorial innovation by artists with widely differing aesthetic aims and styles. Depictions of readers are interpreted as contributions to changing notions of public and private life, female agency, and women's participation in cultural and political debates beyond the domestic household. This highly original book explores images of women readers from a range of social classes in both urban and rural settings. Such images are shown to have articulated concerns about the impact of female literacy on labour environments and family life while, in many cases, challenging conventions of gendered reading. Kathryn Brown also presents an alternative way of conceiving of modernity in relation to nineteenth-century art, a methodological departure from much recent art historical literature. Artists discussed range from Manet, Cassatt and Degas, to less familiar figures such as Lavieille, Carriere, Toulmouche and Tissot.
Track the facts with Jack and Annie!
Born on the 4th of July in Washington, DC, J. Olin Fischer grew up a Mississippi River boy from Missouri. Graduating from SE Missouri University, he taught ESL in Colombia and lived in the Andes 5 years. At 10,000 feet by a mountain lake with 7 waterfalls, tropical rain forest, orchids, word paintings began. Because of several years there studying Asian literature, the flowery style of lyrics soon changed to a more succinct way of expression. Painting with words became the inspiration. After experiencing 40 countries and almost that many professions, many poems born from them, J. Olin resides now in Houston, Tx. This book is "all but a small painting" for you to enjoy.
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